Bamako Lo-Fi
30s preview
- Key
- 6A · G minor
- BPM
- 170
- Half-time
- 85
- Open Key
- 11m
- Energy
- 52/100
- Pop
- 0/100
- Length
- 3:04
- Released
- 2024
- Genre
- Tribal
- Loudness
- -6.4 dB
- Dynamics
- 12.6 dB
- ISRC
- QM4TW2412361
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast tribal cut, Bamako Lo-Fi sits in G minor (6A) at 170 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Boddhi Satva's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 96% of Boddhi Satva's catalogue
- Energy:
- calmer than 77% of Boddhi Satva's catalogue
- Brightness:
- darker than 77% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Bamako Lo-Fi in?
Bamako Lo-Fi by Boddhi Satva is in G minor, or 6A on the Camelot wheel.
What BPM is Bamako Lo-Fi?
Bamako Lo-Fi runs at 170 BPM, a very fast track.
What mixes well with Bamako Lo-Fi?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Bamako Lo-Fi good for peak time?
With energy 52 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 170 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More tribal
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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