We Shine Amongst the Lights
30s preview
- BPM
- 170
- Half-time
- 85
- Open Key
- 5d
- Energy
- 51/100
- Pop
- 0/100
- Length
- 5:54
- Released
- 2021
- Genre
- Drum N Bass
- Loudness
- -7.9 dB
- Dynamics
- 14.3 dB
- ISRC
- GBCJY2100272
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
We Shine Amongst the Lights is a very fast drum n bass track in E major (12B) at 170 BPM. It reads as dark and steady. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Etherwood's catalogue. For programming, treat it as a high-intensity peak cut.
- Low end:
- more treble-tilted than 82% of Etherwood's catalogue
- Energy:
- calmer than 81% of Etherwood's catalogue
- Brightness:
- darker than 81% of Etherwood's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is We Shine Amongst the Lights in?
We Shine Amongst the Lights by Etherwood is in E major, or 12B on the Camelot wheel.
What BPM is We Shine Amongst the Lights?
We Shine Amongst the Lights runs at 170 BPM, a very fast track.
What mixes well with We Shine Amongst the Lights?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is We Shine Amongst the Lights good for peak time?
With energy 51 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 170 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More drum n bass
More from Etherwood
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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