Farewell
- Key
- 6A · G minor
- BPM
- 170
- Half-time
- 85
- Open Key
- 11m
- Energy
- 45/100
- Pop
- 0/100
- Length
- 3:59
- Released
- 2022
- Genre
- Drum N Bass
- Loudness
- -6.3 dB
- ISRC
- GBVPL2200043
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Farewell runs 170 BPM in G minor (6A), a very fast drum n bass record. It reads as dark and steady. The groove is loose and less beat-driven. Less groove-driven than 99% of Buunshin's catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- more underground than 99% of Buunshin's catalogue
- Energy:
- calmer than 96% of Buunshin's catalogue
- Brightness:
- darker than 78% of Buunshin's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Farewell in?
Farewell by Buunshin is in G minor, or 6A on the Camelot wheel.
What BPM is Farewell?
Farewell runs at 170 BPM, a very fast track.
What mixes well with Farewell?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Farewell good for peak time?
With energy 45 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 170 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More drum n bass
More from Buunshin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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