Intro - Red Bull Symphonic
30s preview
- Key
- 5A · C minor
- BPM
- 169
- Half-time
- 85
- Open Key
- 10m
- Energy
- 28/100
- Pop
- 0/100
- Length
- 2:30
- Released
- 2020
- Album
- Red Bull Symphonic
- Genre
- Drum N Bass
- Loudness
- -10.5 dB
- Dynamics
- 15.2 dB
- ISRC
- GB5KW2000562
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast drum n bass cut, Intro - Red Bull Symphonic sits in C minor (5A) at 169 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Calmer than 99% of Camo & Krooked's catalogue.
- Groove:
- less groove-driven than 99% of Camo & Krooked's catalogue
- Brightness:
- darker than 99% of Camo & Krooked's catalogue
- Reach:
- more underground than 99% of Camo & Krooked's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 24%
- Low-mid
- 130-570 Hz
- 29%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Intro - Red Bull Symphonic in?
Intro - Red Bull Symphonic by Camo & Krooked is in C minor, or 5A on the Camelot wheel.
What BPM is Intro - Red Bull Symphonic?
Intro - Red Bull Symphonic runs at 169 BPM, a very fast track.
What mixes well with Intro - Red Bull Symphonic?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Intro - Red Bull Symphonic good for peak time?
With energy 28 out of 100 at 169 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 169 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 159-179 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 169 — beatmatch without a big tempo pull.
More drum n bass
More from Camo & Krooked
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 169 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.