MAGNETIC - Acoustic
- Key
- 5A · C minor
- BPM
- 168
- Half-time
- 84
- Open Key
- 10m
- Energy
- 25/100
- Pop
- 0/100
- Length
- 2:58
- Released
- 2025
- Album
- MAGNETIC (Acoustic)
- Genre
- Drum N Bass
- Loudness
- -7.7 dB
- ISRC
- QMFMG2501001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- MAGNETICoriginal4B · 175
Against the original (4B at 175 BPM), this version runs 7 BPM slower and moves the key from 4B to 5A.
A very fast drum n bass cut, MAGNETIC - Acoustic sits in C minor (5A) at 168 BPM. The groove is loose and less beat-driven. It is vocal-led. More underground than 99% of Sigma's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 97% of Sigma's catalogue
- Groove:
- less groove-driven than 97% of Sigma's catalogue
- Brightness:
- darker than 81% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is MAGNETIC - Acoustic in?
MAGNETIC - Acoustic by Sigma is in C minor, or 5A on the Camelot wheel.
What BPM is MAGNETIC - Acoustic?
MAGNETIC - Acoustic runs at 168 BPM, a very fast track.
What mixes well with MAGNETIC - Acoustic?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is MAGNETIC - Acoustic good for peak time?
With energy 25 out of 100 at 168 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
![What You Won't Do for Love [radio edit] by Goldie cover art](https://i.scdn.co/image/ab67616d00001e02bc6a593d8441943bcc378f41){kind=small}
How to mix it
In 5A at 168 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 158-178 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 168 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 168 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.