Dahlia
- BPM
- 168
- Half-time
- 84
- Open Key
- 4d
- Energy
- 65/100
- Pop
- 2/100
- Length
- 5:07
- Released
- 2021
- Genre
- Drum N Bass
- Loudness
- -5.9 dB
- ISRC
- GBCJY2100264
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Dahlia runs 168 BPM in A major (11B), a very fast drum n bass record. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Darker than 94% of Etherwood's catalogue.
- Energy:
- calmer than 75% of Etherwood's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Dahlia in?
Dahlia by Etherwood is in A major, or 11B on the Camelot wheel.
What BPM is Dahlia?
Dahlia runs at 168 BPM, a very fast track.
What mixes well with Dahlia?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Dahlia good for peak time?
With energy 65 out of 100 at 168 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 168 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 158-178 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 168 — beatmatch without a big tempo pull.
More drum n bass
More from Etherwood
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 168 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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