
Adrenaline Rush - Acoustic
30s preview
- Key
- 9A · E minor
- BPM
- 169
- Half-time
- 85
- Open Key
- 2m
- Energy
- 52/100
- Pop
- 15/100
- Length
- 3:07
- Released
- 2023
- Album
- Adrenaline Rush (Acoustic)
- Genre
- Drum N Bass
- Loudness
- -5.5 dB
- Dynamics
- 10.5 dB
- ISRC
- GBSXS2300159
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Adrenaline Rush (feat. MORGAN)original9B · 175
- Adrenaline Rush - Subsonic Remixremix9B · 87
- Adrenaline Rush - Extended Mixversion9B · 175
- Adrenaline Rush - Run In The Jungle Remixremix10B · 175
- Adrenaline Rushoriginal9B · 175
Against the original (9B at 175 BPM), this version runs 6 BPM slower and moves the key from 9B to 9A.
At 169 BPM in E minor (9A), Adrenaline Rush - Acoustic is a very fast drum n bass production. The groove is loose and less beat-driven. It is vocal-led. Calmer than 93% of Sigma's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 93% of Sigma's catalogue
- Low end:
- more treble-tilted than 80% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Adrenaline Rush - Acoustic in?
Adrenaline Rush - Acoustic by Sigma is in E minor, or 9A on the Camelot wheel.
What BPM is Adrenaline Rush - Acoustic?
Adrenaline Rush - Acoustic runs at 169 BPM, a very fast track.
What mixes well with Adrenaline Rush - Acoustic?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Adrenaline Rush - Acoustic good for peak time?
With energy 52 out of 100 at 169 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 169 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 159-179 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 169 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 169 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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