Wormhole by Optical cover art

Wormhole

Optical

Key
9B · G major
BPM
170
Half-time
85
Open Key
2d
Energy
73/100
Pop
0/100
Length
6:51
Released
1998
Genre
Drum N Bass
Loudness
-7.7 dB
ISRC
GBTKW9890151

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 170 BPM in G major (9B), Wormhole is a very fast drum n bass production. The feel is dark and driving. The mix is almost entirely instrumental. A 1998 production that still circulates in sets. More underground than 99% of Optical's catalogue. In a set it works best as a high-intensity peak cut.

Groove:
groovier than 86% of Optical's catalogue
Energy:
calmer than 83% of Optical's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy73
Mood30Dark
Groove70
Acoustic0
Instrumental94
Live11
Speech15

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Wormhole in?

Wormhole by Optical is in G major, or 9B on the Camelot wheel.

What BPM is Wormhole?

Wormhole runs at 170 BPM, a very fast track.

What mixes well with Wormhole?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Wormhole good for peak time?

With energy 73 out of 100 at 170 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 170 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 170 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Optical

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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