Through My Eyes by Alix Perez cover art

Through My Eyes

Alix Perez

30s preview

Key
10A · B minor
BPM
170
Half-time
85
Open Key
3m
Energy
45/100
Pop
9/100
Length
6:17
Released
2016
Genre
Drum N Bass
Loudness
-6.3 dB
Dynamics
14.2 dB
ISRC
GBSZM1600447

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Through My Eyes: very fast drum n bass, B minor (10A), 170 BPM. The groove is strong and floor-ready. The master keeps unusual dynamic range for club music (crest 14 dB). A 2016 production that still circulates in sets. Calmer than 93% of Alix Perez's catalogue. In a set it works best as a high-intensity peak cut.

Groove:
groovier than 82% of Alix Perez's catalogue
Low end:
more treble-tilted than 80% of Alix Perez's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy45
Mood40Balanced
Groove73
Acoustic6
Instrumental70
Live9
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Through My Eyes in?

Through My Eyes by Alix Perez is in B minor, or 10A on the Camelot wheel.

What BPM is Through My Eyes?

Through My Eyes runs at 170 BPM, a very fast track.

What mixes well with Through My Eyes?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Through My Eyes good for peak time?

With energy 45 out of 100 at 170 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 170 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 170 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Alix Perez

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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