False Promises by Alix Perez cover art

False Promises

Alix Perez

30s preview

Key
7A · D minor
BPM
174
Half-time
87
Open Key
12m
Energy
93/100
Pop
33/100
Length
3:45
Released
2024
Genre
Drum N Bass
Loudness
-5.7 dB
Dynamics
13.0 dB
ISRC
UKEWB1600387

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 174 BPM in D minor (7A), False Promises is a drum n bass production. The feel is dark and driving. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 96% of Alix Perez's catalogue. For programming, treat it as an opener or closing-set piece.

Energy:
hotter than 92% of Alix Perez's catalogue
Low end:
more treble-tilted than 80% of Alix Perez's catalogue
Tempo:
faster than 77% of Alix Perez's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood26Dark
Groove63
Acoustic0
Instrumental69
Live17
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is False Promises in?

False Promises by Alix Perez is in D minor, or 7A on the Camelot wheel.

What BPM is False Promises?

False Promises runs at 174 BPM.

What mixes well with False Promises?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is False Promises good for peak time?

With energy 93 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

#TrackKey·BPM

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 174 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Alix Perez

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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