Signalz (I Hate Mondays VIP)
30s preview
- Key
- 7B · F major
- BPM
- 172
- Half-time
- 86
- Open Key
- 12d
- Energy
- 97/100
- Pop
- 1/100
- Length
- 4:39
- Released
- 2013
- Genre
- Drum N Bass
- Loudness
- -3.9 dB
- Dynamics
- 11.9 dB
- ISRC
- GBVPL1400032
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Signalz (I Hate Mondays VIP) sits in F major (7B) at 172 BPM. It reads as dark and driving. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. Darker than 86% of Mefjus's catalogue. For programming, treat it as an opener or closing-set piece.
- Energy:
- hotter than 76% of Mefjus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Signalz (I Hate Mondays VIP) in?
Signalz (I Hate Mondays VIP) by Mefjus is in F major, or 7B on the Camelot wheel.
What BPM is Signalz (I Hate Mondays VIP)?
Signalz (I Hate Mondays VIP) runs at 172 BPM.
What mixes well with Signalz (I Hate Mondays VIP)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Signalz (I Hate Mondays VIP) good for peak time?
With energy 97 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 172 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Mefjus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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