All Talk by IMANU cover art

All Talk

IMANU

30s preview

Key
7B · F major
BPM
172
Half-time
86
Open Key
12d
Energy
97/100
Pop
14/100
Length
4:42
Released
2019
Genre
Drum N Bass
Loudness
0.0 dB
Dynamics
15.4 dB
ISRC
UKACT1931744

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

All Talk is a drum n bass track in F major (7B) at 172 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). Darker than 99% of IMANU's catalogue. For programming, treat it as an opener or closing-set piece.

Energy:
hotter than 94% of IMANU's catalogue
Low end:
more treble-tilted than 80% of IMANU's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood4Dark
Groove46
Acoustic1
Instrumental88
Live12
Speech25

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
26%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is All Talk in?

All Talk by IMANU is in F major, or 7B on the Camelot wheel.

What BPM is All Talk?

All Talk runs at 172 BPM.

What mixes well with All Talk?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is All Talk good for peak time?

With energy 97 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 172 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from IMANU

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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