You left me hanging. by IMANU cover art

You left me hanging.

IMANU

30s preview

Key
2B · F♯ major
BPM
172
Half-time
86
Open Key
7d
Energy
88/100
Pop
31/100
Length
2:50
Released
2024
Genre
Drum N Bass
Loudness
-4.1 dB
Dynamics
12.5 dB
ISRC
GB2LD2410025

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 172 BPM in F♯ major (2B), You left me hanging. is a drum n bass production. Tonally it lands punchy, neutral in mood. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Brighter than 91% of IMANU's catalogue. In a set it works best as an opener or closing-set piece.

Reach:
better known than 82% of IMANU's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood46Balanced
Groove52
Acoustic1
Instrumental0
Live9
Speech35

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is You left me hanging. in?

You left me hanging. by IMANU is in F♯ major, or 2B on the Camelot wheel.

What BPM is You left me hanging.?

You left me hanging. runs at 172 BPM.

What mixes well with You left me hanging.?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is You left me hanging. good for peak time?

With energy 88 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#TrackKey·BPM

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 172 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

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Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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