Loose Ends
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 3d
- Energy
- 87/100
- Pop
- 4/100
- Length
- 5:03
- Released
- 2010
- Genre
- Drum N Bass
- Loudness
- -2.0 dB
- Dynamics
- 9.8 dB
- ISRC
- GBPWR1000109
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Loose Ends sits in D major (10B) at 172 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2010 production that still circulates in sets. Groovier than 90% of Alix Perez's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 79% of Alix Perez's catalogue
- Energy:
- hotter than 75% of Alix Perez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Loose Ends in?
Loose Ends by Alix Perez is in D major, or 10B on the Camelot wheel.
What BPM is Loose Ends?
Loose Ends runs at 172 BPM.
What mixes well with Loose Ends?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Loose Ends good for peak time?
With energy 87 out of 100 at 172 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 172 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Alix Perez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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