Old Flame by Alix Perez cover art

Old Flame

Alix Perez

30s preview

Key
3A · B♭ minor
BPM
172
Half-time
86
Open Key
8m
Energy
86/100
Pop
15/100
Length
6:29
Released
2007
Album
Solitary Native / Old Flame
Genre
Drum N Bass
Loudness
-6.7 dB
Dynamics
14.5 dB
ISRC
GBPWR0610008

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A drum n bass cut, Old Flame sits in B♭ minor (3A) at 172 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2007 production that still circulates in sets. Less groove-driven than 80% of Alix Perez's catalogue. For programming, treat it as an opener or closing-set piece.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood14Dark
Groove53
Acoustic0
Instrumental87
Live9
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Old Flame in?

Old Flame by Alix Perez is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Old Flame?

Old Flame runs at 172 BPM.

What mixes well with Old Flame?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Old Flame good for peak time?

With energy 86 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 172 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Alix Perez

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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