Down the Line
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 8m
- Energy
- 84/100
- Pop
- 8/100
- Length
- 6:27
- Released
- 2007
- Album
- Down the Line (feat. MC Fats)
- Genre
- Drum N Bass
- Loudness
- -12.0 dB
- Dynamics
- 15.1 dB
- ISRC
- GBPWR0600029
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Down the Line - Break Remixremix2B · 174
Down the Line: drum n bass, B♭ minor (3A), 172 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2007 production that still circulates in sets. More treble-tilted than 97% of Alix Perez's catalogue.
- Brightness:
- brighter than 95% of Alix Perez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Down the Line in?
Down the Line by Alix Perez is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Down the Line?
Down the Line runs at 172 BPM.
What mixes well with Down the Line?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Down the Line good for peak time?
With energy 84 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 172 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Alix Perez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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