Dark Days by Alix Perez cover art

Dark Days

Alix Perez

30s preview

Key
12A · D♭ minor
BPM
172
Half-time
86
Open Key
5m
Energy
83/100
Pop
4/100
Length
5:49
Released
2010
Genre
Drum N Bass
Loudness
-6.0 dB
Dynamics
11.8 dB
ISRC
GBPWR1000107

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A drum n bass cut, Dark Days sits in D♭ minor (12A) at 172 BPM. The feel is punchy, neutral in mood. It is vocal-led. Spoken-word passages run through it. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. Groovier than 91% of Alix Perez's catalogue.

Brightness:
brighter than 78% of Alix Perez's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood46Balanced
Groove78
Acoustic1
Instrumental1
Live31
Speech34

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Dark Days in?

Dark Days by Alix Perez is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Dark Days?

Dark Days runs at 172 BPM.

What mixes well with Dark Days?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Dark Days good for peak time?

With energy 83 out of 100 at 172 BPM, it works best as a floor-filler.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 172 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Alix Perez

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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