Fatalism
- BPM
- 110
- Open Key
- 8d
- Energy
- 63/100
- Pop
- 43/100
- Length
- 5:05
- Released
- 2025
- Album
- The Lower World
- Genre
- Drum N Bass
- Loudness
- -9.6 dB
- ISRC
- QM24S2502554
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Fatalism runs 110 BPM in D♭ major (3B), a mid-tempo drum n bass record. It reads as dark and driving. It leans atmospheric over strictly danceable. Better known than 99% of Alix Perez's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 97% of Alix Perez's catalogue
- Groove:
- less groove-driven than 95% of Alix Perez's catalogue
- Tempo:
- slower than 78% of Alix Perez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Fatalism in?
Fatalism by Alix Perez is in D♭ major, or 3B on the Camelot wheel.
What BPM is Fatalism?
Fatalism runs at 110 BPM, a mid-tempo track.
What mixes well with Fatalism?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Fatalism good for peak time?
With energy 63 out of 100 at 110 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 110 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More drum n bass
More from Alix Perez
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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