Philly To Pittsburgh
30s preview
- BPM
- 115
- Open Key
- 5m
- Energy
- 39/100
- Pop
- 2/100
- Length
- 2:57
- Released
- 2019
- Album
- Lordel
- Genre
- Drum N Bass
- Loudness
- -13.2 dB
- Dynamics
- 12.8 dB
- ISRC
- CAUM81900377
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Philly To Pittsburgh is a mid-tempo drum n bass track in D♭ minor (12A) at 115 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Calmer than 99% of Halogenix's catalogue.
- Groove:
- less groove-driven than 99% of Halogenix's catalogue
- Reach:
- more underground than 76% of Halogenix's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Philly To Pittsburgh in?
Philly To Pittsburgh by Halogenix is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Philly To Pittsburgh?
Philly To Pittsburgh runs at 115 BPM, a mid-tempo track.
What mixes well with Philly To Pittsburgh?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Philly To Pittsburgh good for peak time?
With energy 39 out of 100 at 115 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 115 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More drum n bass
More from Halogenix
Full profile
![PFTD [Instrumental] by Halogenix cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/39314761a78065a1268b.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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