Got The Blood (IMANU Remix) by IMANU cover art

Got The Blood (IMANU Remix)

IMANU

30s preview

Key
12A · D♭ minor
BPM
106
Open Key
5m
Energy
41/100
Pop
0/100
Length
3:09
Released
2021
Genre
Drum N Bass
Loudness
-4.3 dB
Dynamics
9.0 dB
ISRC
USHR22113901

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Got The Blood (IMANU Remix) is a mid-tempo drum n bass track in D♭ minor (12A) at 106 BPM. The feel is dark and steady. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Calmer than 99% of IMANU's catalogue. For programming, treat it as a warm-up or breakdown cut.

Reach:
more underground than 99% of IMANU's catalogue
Tempo:
slower than 86% of IMANU's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy41
Mood14Dark
Groove56
Acoustic9
Instrumental0
Live8
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Got The Blood (IMANU Remix) in?

Got The Blood (IMANU Remix) by IMANU is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Got The Blood (IMANU Remix)?

Got The Blood (IMANU Remix) runs at 106 BPM, a mid-tempo track.

What mixes well with Got The Blood (IMANU Remix)?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Got The Blood (IMANU Remix) good for peak time?

With energy 41 out of 100 at 106 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 106 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 100-112 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 106 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from IMANU

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 106 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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