Anywhere - Acoustic
30s preview
- BPM
- 105
- Open Key
- 6m
- Energy
- 43/100
- Pop
- 4/100
- Length
- 3:30
- Released
- 2018
- Album
- Anywhere (Acoustic)
- Genre
- Drum N Bass
- Loudness
- -7.1 dB
- Dynamics
- 13.7 dB
- ISRC
- GBSXS1800106
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Anywhereoriginal1B · 120
- Anywhere - Tujamo Remixremix2B · 125
- Anywhere - Macky Gee & Mollie Collins Remixremix1A · 87
- Anywhere - White N3rd Editversion1A · 125
- Anywhere - Blinkie Remixremix1B · 120
- Anywhere - Lucas Maverick Antisocial Remixremix1B · 120
Against the original (1B at 120 BPM), this version runs 15 BPM slower and moves the key from 1B to 1A.
At 105 BPM in A♭ minor (1A), Anywhere - Acoustic is a mid-tempo drum n bass production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). A 2018 production that still circulates in sets. Calmer than 95% of Sigma's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 93% of Sigma's catalogue
- Groove:
- groovier than 88% of Sigma's catalogue
- Brightness:
- darker than 85% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Anywhere - Acoustic in?
Anywhere - Acoustic by Sigma is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Anywhere - Acoustic?
Anywhere - Acoustic runs at 105 BPM, a mid-tempo track.
What mixes well with Anywhere - Acoustic?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Anywhere - Acoustic good for peak time?
With energy 43 out of 100 at 105 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 105 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 99-111 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 105 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 105 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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