10 Missed Calls
- BPM
- 108
- Open Key
- 7m
- Energy
- 45/100
- Pop
- 14/100
- Length
- 3:57
- Released
- 2020
- Genre
- Punk
- Loudness
- -12.2 dB
- ISRC
- USUS12000421
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 108 BPM in E♭ minor (2A), 10 Missed Calls is a mid-tempo punk production. It is vocal-led. The master keeps real dynamic headroom. Slower than 93% of Black Coffee's catalogue.
- Energy:
- calmer than 90% of Black Coffee's catalogue
- Reach:
- better known than 76% of Black Coffee's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is 10 Missed Calls in?
10 Missed Calls by Black Coffee is in E♭ minor, or 2A on the Camelot wheel.
What BPM is 10 Missed Calls?
10 Missed Calls runs at 108 BPM, a mid-tempo track.
What mixes well with 10 Missed Calls?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is 10 Missed Calls good for peak time?
With energy 45 out of 100 at 108 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 108 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 102-114 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 108 — beatmatch without a big tempo pull.
More punk
More from Black Coffee
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 108 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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