What You Wanna C (Hambone)
30s preview
- Key
- 8B · C major
- BPM
- 110
- Open Key
- 1d
- Energy
- 30/100
- Pop
- 3/100
- Length
- 7:04
- Released
- 2020
- Genre
- Deep House
- Loudness
- -14.9 dB
- Dynamics
- 14.6 dB
- ISRC
- QMFMF2020531
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
What You Wanna C (Hambone): mid-tempo deep house, C major (8B), 110 BPM. The groove is strong and floor-ready. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Calmer than 90% of Theo Parrish's catalogue.
- Groove:
- groovier than 83% of Theo Parrish's catalogue
- Tempo:
- slower than 81% of Theo Parrish's catalogue
- Brightness:
- brighter than 76% of Theo Parrish's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is What You Wanna C (Hambone) in?
What You Wanna C (Hambone) by Theo Parrish is in C major, or 8B on the Camelot wheel.
What BPM is What You Wanna C (Hambone)?
What You Wanna C (Hambone) runs at 110 BPM, a mid-tempo track.
What mixes well with What You Wanna C (Hambone)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is What You Wanna C (Hambone) good for peak time?
With energy 30 out of 100 at 110 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 110 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More deep house
More from Theo Parrish
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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