The Missile - SF Bar Groove
- Key
- 8A · A minor
- BPM
- 110
- Open Key
- 1m
- Energy
- 39/100
- Pop
- 0/100
- Length
- 7:12
- Released
- 1996
- Album
- Little Louie Vega Presents The Chameleon
- Genre
- House
- Loudness
- -22.6 dB
- ISRC
- USAH90717602
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Missile - 2 AM Vinyl Mixoriginal8A · 126
- The Missile - Ken Dog Beatsoriginal1B · 124
- The Missile - Louie's Anthem Mixoriginal8A · 124
- The Missile - Sound Factory Bar Grooveoriginal8A · 110
- The Missile - Ken Dog Beatsoriginal1B · 124
- The Missile - Main Mixoriginal8A · 124
A mid-tempo house cut, The Missile - SF Bar Groove sits in A minor (8A) at 110 BPM. The feel is brooding and low-slung. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1996 production that still circulates in sets. More underground than 99% of Louie Vega's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 98% of Louie Vega's catalogue
- Tempo:
- slower than 98% of Louie Vega's catalogue
- Brightness:
- darker than 89% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Missile - SF Bar Groove in?
The Missile - SF Bar Groove by Louie Vega is in A minor, or 8A on the Camelot wheel.
What BPM is The Missile - SF Bar Groove?
The Missile - SF Bar Groove runs at 110 BPM, a mid-tempo track.
What mixes well with The Missile - SF Bar Groove?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is The Missile - SF Bar Groove good for peak time?
With energy 39 out of 100 at 110 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 110 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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