Kara Tal - Acid Pauli & NU Remix
30s preview
- BPM
- 111
- Open Key
- 3m
- Energy
- 38/100
- Pop
- 9/100
- Length
- 6:05
- Released
- 2014
- Album
- Kara Tal
- Genre
- Minimal
- Loudness
- -15.7 dB
- Dynamics
- 11.7 dB
- ISRC
- INS2B1300027
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Kara Tal - Acid Pauli & NU Remix: mid-tempo minimal, B minor (10A), 111 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. Darker than 99% of Acid Pauli's catalogue.
- Low end:
- more bass-heavy than 94% of Acid Pauli's catalogue
- Groove:
- groovier than 92% of Acid Pauli's catalogue
- Energy:
- calmer than 80% of Acid Pauli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Kara Tal - Acid Pauli & NU Remix in?
Kara Tal - Acid Pauli & NU Remix by Acid Pauli is in B minor, or 10A on the Camelot wheel.
What BPM is Kara Tal - Acid Pauli & NU Remix?
Kara Tal - Acid Pauli & NU Remix runs at 111 BPM, a mid-tempo track.
What mixes well with Kara Tal - Acid Pauli & NU Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Kara Tal - Acid Pauli & NU Remix good for peak time?
With energy 38 out of 100 at 111 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 111 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 104-118 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 111 — beatmatch without a big tempo pull.
More minimal
More from Acid Pauli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 111 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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