Centipedes by Étienne de Crécy cover art

30s preview

Key
3B · D♭ major
BPM
110
Open Key
8d
Energy
36/100
Pop
14/100
Length
1:29
Released
2018
Genre
House
Loudness
-12.7 dB
Dynamics
10.2 dB
ISRC
FRX851801399

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Centipedes runs 110 BPM in D♭ major (3B), a mid-tempo house record. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More bass-heavy than 97% of Étienne de Crécy's catalogue.

Energy:
calmer than 96% of Étienne de Crécy's catalogue
Groove:
groovier than 96% of Étienne de Crécy's catalogue
Tempo:
slower than 83% of Étienne de Crécy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy36
Mood50Balanced
Groove90
Acoustic8
Instrumental43
Live12
Speech13

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Centipedes in?

Centipedes by Étienne de Crécy is in D♭ major, or 3B on the Camelot wheel.

What BPM is Centipedes?

Centipedes runs at 110 BPM, a mid-tempo track.

What mixes well with Centipedes?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Centipedes good for peak time?

With energy 36 out of 100 at 110 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 110 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 110 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Étienne de Crécy

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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