Ebonics - Extended Mix
- BPM
- 111
- Open Key
- 3d
- Energy
- 38/100
- Pop
- 0/100
- Length
- 16:18
- Released
- 2014
- Album
- Pieces of a Paradox
- Genre
- Deep House
- Loudness
- -17.8 dB
- ISRC
- DEZ651350675
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ebonicsoriginal11A · 111
Against the original (11A at 111 BPM), this version holds the same tempo and moves the key from 11A to 10B.
At 111 BPM in D major (10B), Ebonics - Extended Mix is a mid-tempo deep house production. The feel is subdued and even. Rhythmically it is built for the dancefloor. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Theo Parrish's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- groovier than 94% of Theo Parrish's catalogue
- Energy:
- calmer than 85% of Theo Parrish's catalogue
- Brightness:
- brighter than 80% of Theo Parrish's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ebonics - Extended Mix in?
Ebonics - Extended Mix by Theo Parrish is in D major, or 10B on the Camelot wheel.
What BPM is Ebonics - Extended Mix?
Ebonics - Extended Mix runs at 111 BPM, a mid-tempo track.
What mixes well with Ebonics - Extended Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Ebonics - Extended Mix good for peak time?
With energy 38 out of 100 at 111 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 111 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 104-118 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 111 — beatmatch without a big tempo pull.
More deep house
More from Theo Parrish
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 111 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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