The Real Deal by Theo Parrish cover art

The Real Deal

Theo Parrish

Key
3A · B♭ minor
BPM
104
Open Key
8m
Energy
26/100
Pop
20/100
Length
5:19
Released
2022
Genre
House
Loudness
-15.7 dB
ISRC
DEG932202952

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A slow-groove tempo house cut, The Real Deal sits in B♭ minor (3A) at 104 BPM. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Better known than 97% of Theo Parrish's catalogue. For programming, treat it as a warm-up or breakdown cut.

Groove:
less groove-driven than 96% of Theo Parrish's catalogue
Energy:
calmer than 94% of Theo Parrish's catalogue
Brightness:
darker than 94% of Theo Parrish's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy26
Mood8Dark
Groove45
Acoustic93
Instrumental91
Live11
Speech3

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Real Deal in?

The Real Deal by Theo Parrish is in B♭ minor, or 3A on the Camelot wheel.

What BPM is The Real Deal?

The Real Deal runs at 104 BPM, a slow-groove tempo track.

What mixes well with The Real Deal?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is The Real Deal good for peak time?

With energy 26 out of 100 at 104 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 104 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 98-110 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 104 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Theo Parrish

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 104 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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