Tsuku Yomi Mode
30s preview
- BPM
- 105
- Open Key
- 3d
- Energy
- 67/100
- Pop
- 11/100
- Length
- 4:21
- Released
- 2004
- Album
- 「月詠」オープニングテーマ Neko Mimi Mode
- Genre
- Disco
- Loudness
- -10.8 dB
- Dynamics
- 12.3 dB
- ISRC
- JPVI00439490
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 105 BPM in D major (10B), Tsuku Yomi Mode is a mid-tempo disco production. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2004 production that still circulates in sets. Slower than 99% of Dimitri From Paris's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 94% of Dimitri From Paris's catalogue
- Energy:
- calmer than 87% of Dimitri From Paris's catalogue
- Low end:
- more bass-heavy than 87% of Dimitri From Paris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Tsuku Yomi Mode in?
Tsuku Yomi Mode by Dimitri From Paris is in D major, or 10B on the Camelot wheel.
What BPM is Tsuku Yomi Mode?
Tsuku Yomi Mode runs at 105 BPM, a mid-tempo track.
What mixes well with Tsuku Yomi Mode?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Tsuku Yomi Mode good for peak time?
With energy 67 out of 100 at 105 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 105 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 99-111 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 105 — beatmatch without a big tempo pull.
More disco
More from Dimitri From Paris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 105 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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