Call Me At Midnight by Gene Farris cover art

Call Me At Midnight

Gene Farris

30s preview

Key
8B · C major
BPM
105
Open Key
1d
Energy
81/100
Pop
13/100
Length
2:21
Released
2024
Genre
House
Loudness
-6.2 dB
Dynamics
14.3 dB
ISRC
GBKQU2486136

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Call Me At Midnight: mid-tempo house, C major (8B), 105 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 99% of Gene Farris's catalogue. For programming, treat it as a floor-filler.

Low end:
more treble-tilted than 89% of Gene Farris's catalogue
Reach:
better known than 87% of Gene Farris's catalogue
Groove:
less groove-driven than 81% of Gene Farris's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy81
Mood57Balanced
Groove73
Acoustic18
Instrumental0
Live51
Speech26

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Call Me At Midnight in?

Call Me At Midnight by Gene Farris is in C major, or 8B on the Camelot wheel.

What BPM is Call Me At Midnight?

Call Me At Midnight runs at 105 BPM, a mid-tempo track.

What mixes well with Call Me At Midnight?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Call Me At Midnight good for peak time?

With energy 81 out of 100 at 105 BPM, it works best as a floor-filler.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#TrackKey·BPM

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 105 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 99-111 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 105 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Gene Farris

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 105 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.