Into Your Eyes
- BPM
- 103
- Open Key
- 11d
- Energy
- 58/100
- Pop
- 21/100
- Length
- 3:00
- Released
- 2022
- Genre
- Disco
- Loudness
- -6.7 dB
- ISRC
- FR0NT2200453
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Into Your Eyes: slow-groove tempo disco, B♭ major (6B), 103 BPM. It is vocal-led. Less groove-driven than 95% of Breakbot's catalogue.
- Tempo:
- slower than 81% of Breakbot's catalogue
- Reach:
- better known than 79% of Breakbot's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Into Your Eyes in?
Into Your Eyes by Breakbot is in B♭ major, or 6B on the Camelot wheel.
What BPM is Into Your Eyes?
Into Your Eyes runs at 103 BPM, a slow-groove tempo track.
What mixes well with Into Your Eyes?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Into Your Eyes good for peak time?
With energy 58 out of 100 at 103 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 103 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 97-109 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 103 — beatmatch without a big tempo pull.
More disco
More from Breakbot
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 103 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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