Nina’s Theme (The Berlin skit) by Coeo cover art

Nina’s Theme (The Berlin skit)

Coeo

30s preview

Key
4A · F minor
BPM
104
Open Key
9m
Energy
77/100
Pop
11/100
Length
3:51
Released
2024
Genre
House
Loudness
-6.4 dB
Dynamics
9.8 dB
ISRC
UKN6K2301566

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A slow-groove tempo house cut, Nina’s Theme (The Berlin skit) sits in F minor (4A) at 104 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 99% of Coeo's catalogue. In a set it works best as a floor-filler.

Groove:
less groove-driven than 88% of Coeo's catalogue
Reach:
better known than 79% of Coeo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy77
Mood39Balanced
Groove71
Acoustic4
Instrumental44
Live12
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Nina’s Theme (The Berlin skit) in?

Nina’s Theme (The Berlin skit) by Coeo is in F minor, or 4A on the Camelot wheel.

What BPM is Nina’s Theme (The Berlin skit)?

Nina’s Theme (The Berlin skit) runs at 104 BPM, a slow-groove tempo track.

What mixes well with Nina’s Theme (The Berlin skit)?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Nina’s Theme (The Berlin skit) good for peak time?

With energy 77 out of 100 at 104 BPM, it works best as a floor-filler.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#Track

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 104 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 98-110 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 104 — beatmatch without a big tempo pull.

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 104 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track