Rainbow Man
- BPM
- 104
- Open Key
- 4d
- Energy
- 75/100
- Pop
- 0/100
- Length
- 3:35
- Released
- 2007
- Genre
- Electro
- Loudness
- -9.8 dB
- ISRC
- FR0NT0700070
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Rainbow Man runs 104 BPM in A major (11B), a slow-groove tempo electro record. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2007 production that still circulates in sets. More underground than 99% of Busy P's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 95% of Busy P's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Rainbow Man in?
Rainbow Man by Busy P is in A major, or 11B on the Camelot wheel.
What BPM is Rainbow Man?
Rainbow Man runs at 104 BPM, a slow-groove tempo track.
What mixes well with Rainbow Man?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Rainbow Man good for peak time?
With energy 75 out of 100 at 104 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 104 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 98-110 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 104 — beatmatch without a big tempo pull.
More electro
More from Busy P
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 104 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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