
Sweet Sticky
- Key
- 9B · G major
- BPM
- 110
- Open Key
- 2d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 7:16
- Released
- 1998
- Album
- First Floor
- Genre
- Deep House
- Loudness
- -8.5 dB
- ISRC
- GBEWK9800002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A mid-tempo deep house cut, Sweet Sticky sits in G major (9B) at 110 BPM. The mix is almost entirely instrumental. A 1998 production that still circulates in sets. More underground than 99% of Theo Parrish's catalogue. In a set it works best as a mid-set roller.
- Energy:
- hotter than 92% of Theo Parrish's catalogue
- Tempo:
- slower than 81% of Theo Parrish's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sweet Sticky in?
Sweet Sticky by Theo Parrish is in G major, or 9B on the Camelot wheel.
What BPM is Sweet Sticky?
Sweet Sticky runs at 110 BPM, a mid-tempo track.
What mixes well with Sweet Sticky?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Sweet Sticky good for peak time?
With energy 85 out of 100 at 110 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 110 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More deep house
More from Theo Parrish
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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