High On Beat
30s preview
- Key
- 9A · E minor
- BPM
- 110
- Open Key
- 2m
- Energy
- 83/100
- Pop
- 1/100
- Length
- 3:26
- Released
- 2021
- Album
- High On Beat (Sofi Tukker Remix)
- Genre
- Deep House
- Loudness
- -8.2 dB
- Dynamics
- 11.0 dB
- ISRC
- NLF712104510
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- High on Beat (Mix Edit)version9A · 110
- High On Beat - Sofi Tukker Remixremix9A · 122
- High On Beatoriginal9A · 110
- High on Beat - Sian Remixremix9A · 110
- High On Beat (Mix Edit)version9A · 116
High On Beat: mid-tempo deep house, E minor (9A), 110 BPM. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 96% of Jan Blomqvist's catalogue. In a set it works best as a floor-filler.
- Energy:
- hotter than 80% of Jan Blomqvist's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is High On Beat in?
High On Beat by Jan Blomqvist is in E minor, or 9A on the Camelot wheel.
What BPM is High On Beat?
High On Beat runs at 110 BPM, a mid-tempo track.
What mixes well with High On Beat?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is High On Beat good for peak time?
With energy 83 out of 100 at 110 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 110 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More deep house
More from Jan Blomqvist
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
