We Got To Hit It Off (Dimitri From Paris Liberated Women Mix - Edit)
30s preview
- Key
- 6A · G minor
- BPM
- 121
- Open Key
- 11m
- Energy
- 92/100
- Pop
- 26/100
- Length
- 3:37
- Released
- 2025
- Album
- We Got To Hit It Off (Dimitri From Paris Liberated Women Mix)
- Genre
- Disco
- Loudness
- -5.4 dB
- Dynamics
- 13.5 dB
- ISRC
- SEVGT2500070
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Got To Hit It Off (Dimitri From Paris Liberated Women Dub Mix)version7B · 121
- We Got To Hit It Off (Dimitri From Paris Liberated Women Mix)original7B · 121
Against the original (7B at 121 BPM), this version holds the same tempo and moves the key from 7B to 6A.
A club-tempo disco cut, We Got To Hit It Off (Dimitri From Paris Liberated Women Mix - Edit) sits in G minor (6A) at 121 BPM. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). Better known than 94% of Dimitri From Paris's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 92% of Dimitri From Paris's catalogue
- Energy:
- hotter than 79% of Dimitri From Paris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is We Got To Hit It Off (Dimitri From Paris Liberated Women Mix - Edit) in?
We Got To Hit It Off (Dimitri From Paris Liberated Women Mix - Edit) by Dimitri From Paris is in G minor, or 6A on the Camelot wheel.
What BPM is We Got To Hit It Off (Dimitri From Paris Liberated Women Mix - Edit)?
We Got To Hit It Off (Dimitri From Paris Liberated Women Mix - Edit) runs at 121 BPM, a club-tempo track.
What mixes well with We Got To Hit It Off (Dimitri From Paris Liberated Women Mix - Edit)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is We Got To Hit It Off (Dimitri From Paris Liberated Women Mix - Edit) good for peak time?
With energy 92 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 121 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More disco
More from Dimitri From Paris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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