Follow Me - Eliot Rollerblade Vocal Remix
- BPM
- 121
- Open Key
- 3m
- Energy
- 92/100
- Pop
- 2/100
- Length
- 4:37
- Released
- 2013
- Album
- Unite
- Genre
- Disco
- Loudness
- -6.7 dB
- ISRC
- BEN581300028
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Follow Me - Original Mixoriginal9B · 121
- Follow Me - Eliot Rollerblade Dubversion10A · 121
- Follow Me - Fingerpaint Remixremix10B · 121
Against the original (9B at 121 BPM), this version holds the same tempo and moves the key from 9B to 10A.
Follow Me - Eliot Rollerblade Vocal Remix is a club-tempo disco track in B minor (10A) at 121 BPM. The feel is bright and euphoric. A 2013 production that still circulates in sets. Less groove-driven than 89% of Dimitri From Paris's catalogue. In a set it works best as a mid-set roller.
- Energy:
- hotter than 77% of Dimitri From Paris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Follow Me - Eliot Rollerblade Vocal Remix in?
Follow Me - Eliot Rollerblade Vocal Remix by Dimitri From Paris is in B minor, or 10A on the Camelot wheel.
What BPM is Follow Me - Eliot Rollerblade Vocal Remix?
Follow Me - Eliot Rollerblade Vocal Remix runs at 121 BPM, a club-tempo track.
What mixes well with Follow Me - Eliot Rollerblade Vocal Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Follow Me - Eliot Rollerblade Vocal Remix good for peak time?
With energy 92 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 121 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More disco
More from Dimitri From Paris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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