We Got To Hit It Off (Dimitri From Paris Liberated Women Mix)
30s preview
- Key
- 7B · F major
- BPM
- 121
- Open Key
- 12d
- Energy
- 91/100
- Pop
- 0/100
- Length
- 6:37
- Released
- 2025
- Album
- We Got To Hit It Off (Dimitri From Paris and Opolopo Mixes)
- Genre
- Disco
- Loudness
- -6.4 dB
- Dynamics
- 12.2 dB
- ISRC
- SEVGT2500071
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
We Got To Hit It Off (Dimitri From Paris Liberated Women Mix): club-tempo disco, F major (7B), 121 BPM. It reads as bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Dimitri From Paris's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 92% of Dimitri From Paris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is We Got To Hit It Off (Dimitri From Paris Liberated Women Mix) in?
We Got To Hit It Off (Dimitri From Paris Liberated Women Mix) by Dimitri From Paris is in F major, or 7B on the Camelot wheel.
What BPM is We Got To Hit It Off (Dimitri From Paris Liberated Women Mix)?
We Got To Hit It Off (Dimitri From Paris Liberated Women Mix) runs at 121 BPM, a club-tempo track.
What mixes well with We Got To Hit It Off (Dimitri From Paris Liberated Women Mix)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is We Got To Hit It Off (Dimitri From Paris Liberated Women Mix) good for peak time?
With energy 91 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 121 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More disco
More from Dimitri From Paris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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