Catch The Beat (Dimitri from Paris & Mousse T New Oldschool Edit) by Dimitri From Paris cover art

Catch The Beat (Dimitri from Paris & Mousse T New Oldschool Edit)

Dimitri From Paris

30s preview

Key
12B · E major
BPM
121
Open Key
5d
Energy
91/100
Pop
0/100
Length
3:58
Released
2024
Genre
Disco
Loudness
-6.6 dB
Dynamics
12.9 dB
ISRC
USZXT2454631

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Catch The Beat (Dimitri from Paris & Mousse T New Oldschool Edit) is a club-tempo disco track in E major (12B) at 121 BPM. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Dimitri From Paris's catalogue. In a set it works best as a floor-filler.

Brightness:
brighter than 98% of Dimitri From Paris's catalogue
Low end:
more treble-tilted than 79% of Dimitri From Paris's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood97Bright
Groove76
Acoustic21
Instrumental0
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Catch The Beat (Dimitri from Paris & Mousse T New Oldschool Edit) in?

Catch The Beat (Dimitri from Paris & Mousse T New Oldschool Edit) by Dimitri From Paris is in E major, or 12B on the Camelot wheel.

What BPM is Catch The Beat (Dimitri from Paris & Mousse T New Oldschool Edit)?

Catch The Beat (Dimitri from Paris & Mousse T New Oldschool Edit) runs at 121 BPM, a club-tempo track.

What mixes well with Catch The Beat (Dimitri from Paris & Mousse T New Oldschool Edit)?

From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.

Is Catch The Beat (Dimitri from Paris & Mousse T New Oldschool Edit) good for peak time?

With energy 91 out of 100 at 121 BPM, it works best as a floor-filler.

Mixes harmonically

12B11B · 1B · 12A

From 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.

#TrackKey·BPM

Every move from 12B

1BSimple Mix Upper
11BSimple Mix Downer
12ATonal Shift·
1ADiagonal Mix Upper
11ADiagonal Mix Downer
3ACompatible Tone·
2BHigh Energy Boost▲▲▲
10BHigh Energy Drain▼▼▼
3BParallel Key Upper▲▲
9BParallel Key Downer▼▼
7BTritone Jump▲▲
4BRelated Keyrisky

How to mix it

In 12B at 121 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.

Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 121 — beatmatch without a big tempo pull.

More disco

More from Dimitri From Paris

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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