The End by Acid Pauli cover art

The End

Acid Pauli

Key
10A · B minor
BPM
114
Open Key
3m
Energy
39/100
Pop
52/100
Length
8:14
Released
2015
Genre
Deep House
Label
3000°
Loudness
-13.1 dB
ISRC
DEU671501588

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The End: mid-tempo deep house, B minor (10A), 114 BPM. The feel is brooding and low-slung. The groove is strong and floor-ready. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. Groovier than 99% of Acid Pauli's catalogue. In a set it works best as a warm-up or breakdown cut.

Reach:
better known than 99% of Acid Pauli's catalogue
Energy:
calmer than 78% of Acid Pauli's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy39
Mood31Dark
Groove97
Acoustic12
Instrumental30
Live7
Speech20

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The End in?

The End by Acid Pauli is in B minor, or 10A on the Camelot wheel.

What BPM is The End?

The End runs at 114 BPM, a mid-tempo track.

What mixes well with The End?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is The End good for peak time?

With energy 39 out of 100 at 114 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 114 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 114 — beatmatch without a big tempo pull.

More deep house

#TrackKey·BPM

More from Acid Pauli

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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