Page Three
- Key
- 1B · B major
- BPM
- 104
- Open Key
- 6d
- Energy
- 40/100
- Pop
- 0/100
- Length
- 2:32
- Released
- 2004
- Genre
- Minimal
- Loudness
- -13.0 dB
- ISRC
- DEAE60400357
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 104 BPM in B major (1B), Page Three is a slow-groove tempo minimal production. It reads as dark and steady. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. A 2004 production that still circulates in sets. Less groove-driven than 99% of Paul Kalkbrenner's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Paul Kalkbrenner's catalogue
- Tempo:
- slower than 97% of Paul Kalkbrenner's catalogue
- Energy:
- calmer than 81% of Paul Kalkbrenner's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Page Three in?
Page Three by Paul Kalkbrenner is in B major, or 1B on the Camelot wheel.
What BPM is Page Three?
Page Three runs at 104 BPM, a slow-groove tempo track.
What mixes well with Page Three?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Page Three good for peak time?
With energy 40 out of 100 at 104 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 104 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 98-110 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 104 — beatmatch without a big tempo pull.
More minimal
More from Paul Kalkbrenner
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 104 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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