Anywhere - White N3rd Edit
30s preview
- BPM
- 125
- Open Key
- 6m
- Energy
- 91/100
- Pop
- 9/100
- Length
- 3:24
- Released
- 2018
- Album
- Anywhere (Remixes)
- Genre
- Drum N Bass
- Loudness
- -5.4 dB
- Dynamics
- 13.0 dB
- ISRC
- GBSXS1800101
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Anywhereoriginal1B · 120
- Anywhere - Tujamo Remixremix2B · 125
- Anywhere - Macky Gee & Mollie Collins Remixremix1A · 87
- Anywhere - Acousticoriginal1A · 105
- Anywhere - Blinkie Remixremix1B · 120
- Anywhere - Lucas Maverick Antisocial Remixremix1B · 120
Against the original (1B at 120 BPM), this version runs 5 BPM faster and moves the key from 1B to 1A.
A club-tempo drum n bass cut, Anywhere - White N3rd Edit sits in A♭ minor (1A) at 125 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. Brighter than 96% of Sigma's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 90% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Anywhere - White N3rd Edit in?
Anywhere - White N3rd Edit by Sigma is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Anywhere - White N3rd Edit?
Anywhere - White N3rd Edit runs at 125 BPM, a club-tempo track.
What mixes well with Anywhere - White N3rd Edit?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Anywhere - White N3rd Edit good for peak time?
With energy 91 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 125 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.