Coming Home - Danny Howard Dub Remix
30s preview
- Key
- 9A · E minor
- BPM
- 124
- Open Key
- 2m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 6:49
- Released
- 2015
- Album
- Coming Home (Remixes)
- Genre
- Drum N Bass
- Loudness
- -7.4 dB
- Dynamics
- 11.4 dB
- ISRC
- GBSXS1500205
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Coming Home - Parallel Remixremix11A · 93
- Coming Homeoriginal12B · 77
- Coming Home - Break Remixremix12A · 171
- Coming Home - Break Remix Dubremix11A · 171
- Coming Home - M-22 Remixremix12A · 124
- Coming Homeoriginal12B · 85
Against the original (12B at 77 BPM), this version runs 47 BPM faster and moves the key from 12B to 9A.
At 124 BPM in E minor (9A), Coming Home - Danny Howard Dub Remix is a club-tempo drum n bass production. The feel is bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2015 production that still circulates in sets. More underground than 99% of Sigma's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 93% of Sigma's catalogue
- Groove:
- groovier than 84% of Sigma's catalogue
- Low end:
- more bass-heavy than 83% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Coming Home - Danny Howard Dub Remix in?
Coming Home - Danny Howard Dub Remix by Sigma is in E minor, or 9A on the Camelot wheel.
What BPM is Coming Home - Danny Howard Dub Remix?
Coming Home - Danny Howard Dub Remix runs at 124 BPM, a club-tempo track.
What mixes well with Coming Home - Danny Howard Dub Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Coming Home - Danny Howard Dub Remix good for peak time?
With energy 92 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 124 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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