Higher (feat. Labrinth) - Jay Montero Radio Edit
- BPM
- 125
- Open Key
- 3m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 2:54
- Released
- 2015
- Album
- Higher (feat. Labrinth)
- Genre
- Drum N Bass
- Loudness
- -4.8 dB
- ISRC
- GBSXS1500014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Higher - GRADES Remixremix9B · 122
- Higher - Sigma VIP Remixremix11B · 175
- Higher - Kideko Remixremix8A · 124
- Higher - Raf Riley Remixremix3B · 148
- Higher - Knox Brown Remixremix10A · 86
- Higher - Grant Nelson Remixremix10A · 123
Higher (feat. Labrinth) - Jay Montero Radio Edit: club-tempo drum n bass, B minor (10A), 125 BPM. It is vocal-led. The master is loud and heavily compressed. A 2015 production that still circulates in sets. More underground than 99% of Sigma's catalogue.
- Brightness:
- brighter than 94% of Sigma's catalogue
- Energy:
- hotter than 84% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Higher (feat. Labrinth) - Jay Montero Radio Edit in?
Higher (feat. Labrinth) - Jay Montero Radio Edit by Sigma is in B minor, or 10A on the Camelot wheel.
What BPM is Higher (feat. Labrinth) - Jay Montero Radio Edit?
Higher (feat. Labrinth) - Jay Montero Radio Edit runs at 125 BPM, a club-tempo track.
What mixes well with Higher (feat. Labrinth) - Jay Montero Radio Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Higher (feat. Labrinth) - Jay Montero Radio Edit good for peak time?
With energy 94 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Niton [The Reason] - Extended Mix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
![Niton [The Reason] - Instrumental Edit by Eric Prydz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/1fb459090baf872983f7.webp){kind=small}
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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