Anywhere - Wh0 Edit
- BPM
- 127
- Open Key
- 4m
- Energy
- 93/100
- Pop
- 3/100
- Length
- 4:19
- Released
- 2018
- Album
- Anywhere (Remixes)
- Genre
- Drum N Bass
- Loudness
- -5.8 dB
- ISRC
- GBSXS1800099
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Anywhereoriginal1B · 120
- Anywhere - Tujamo Remixremix2B · 125
- Anywhere - Macky Gee & Mollie Collins Remixremix1A · 87
- Anywhere - White N3rd Editversion1A · 125
- Anywhere - Acousticoriginal1A · 105
- Anywhere - Blinkie Remixremix1B · 120
Against the original (1B at 120 BPM), this version runs 7 BPM faster and moves the key from 1B to 11A.
A peak-time tempo drum n bass cut, Anywhere - Wh0 Edit sits in F♯ minor (11A) at 127 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. A 2018 production that still circulates in sets. Hotter than 77% of Sigma's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Anywhere - Wh0 Edit in?
Anywhere - Wh0 Edit by Sigma is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Anywhere - Wh0 Edit?
Anywhere - Wh0 Edit runs at 127 BPM, a peak-time tempo track.
What mixes well with Anywhere - Wh0 Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Anywhere - Wh0 Edit good for peak time?
With energy 93 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
![Niton [The Reason] - Original Mix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
How to mix it
In 11A at 127 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.