Just Hold On - Eli Brown Remix
30s preview
- BPM
- 127
- Open Key
- 5m
- Energy
- 96/100
- Pop
- 21/100
- Length
- 3:36
- Released
- 2020
- Album
- Just Hold On (Eli Brown Remix)
- Genre
- Drum N Bass
- Loudness
- -5.6 dB
- Dynamics
- 11.1 dB
- ISRC
- GBUM72002220
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Just Hold On - Sub Focus & Wilkinson vs. Pola & Bryson Remixremix2A · 174
- Just Hold Onoriginal2A · 124
Against the original (2A at 124 BPM), this version runs 3 BPM faster and moves the key from 2A to 12A.
Just Hold On - Eli Brown Remix: peak-time tempo drum n bass, D♭ minor (12A), 127 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Brighter than 95% of Wilkinson's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 86% of Wilkinson's catalogue
- Tempo:
- slower than 85% of Wilkinson's catalogue
- Low end:
- more bass-heavy than 75% of Wilkinson's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Just Hold On - Eli Brown Remix in?
Just Hold On - Eli Brown Remix by Wilkinson is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Just Hold On - Eli Brown Remix?
Just Hold On - Eli Brown Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Just Hold On - Eli Brown Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Just Hold On - Eli Brown Remix good for peak time?
With energy 96 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
![Miami (LP Giobbi Extended Remix) [feat. Nile Rodgers] by LP Giobbi cover art](https://i.scdn.co/image/ab67616d00001e02b8f16bd44f10222dca8aef1a){kind=small}
How to mix it
In 12A at 127 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More drum n bass
![Niton [The Reason] - Original Mix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
![Niton [The Reason] - Instrumental Edit by Eric Prydz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/1fb459090baf872983f7.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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