When Jack Met Jill
- BPM
- 127
- Open Key
- 11d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 3:57
- Released
- 2000
- Genre
- House
- Loudness
- -8.5 dB
- ISRC
- FRU980700010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in B♭ major (6B), When Jack Met Jill is a peak-time tempo house production. The mix is almost entirely instrumental. A 2000 production that still circulates in sets. More underground than 99% of Étienne de Crécy's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 97% of Étienne de Crécy's catalogue
- Brightness:
- brighter than 94% of Étienne de Crécy's catalogue
- Groove:
- less groove-driven than 93% of Étienne de Crécy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is When Jack Met Jill in?
When Jack Met Jill by Étienne de Crécy is in B♭ major, or 6B on the Camelot wheel.
What BPM is When Jack Met Jill?
When Jack Met Jill runs at 127 BPM, a peak-time tempo track.
What mixes well with When Jack Met Jill?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is When Jack Met Jill good for peak time?
With energy 97 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
![Passion (In Me) [Ezel's Instrumental] by Ezel cover art](https://i.scdn.co/image/ab67616d00001e028d5919c4246aece78d815887){kind=small}
How to mix it
In 6B at 127 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Étienne de Crécy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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