Mercury - Extended Mix
30s preview
- Key
- 6A · G minor
- BPM
- 128
- Open Key
- 11m
- Energy
- 99/100
- Pop
- 0/100
- Length
- 5:04
- Released
- 2016
- Album
- Mercury
- Genre
- Progressive House
- Loudness
- -4.8 dB
- Dynamics
- 11.2 dB
- ISRC
- NLF711600013
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mercuryoriginal6A · 128
Against the original (6A at 128 BPM), this version holds the same tempo in the same key.
Mercury - Extended Mix runs 128 BPM in G minor (6A), a peak-time tempo progressive house record. It reads as dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2016 production that still circulates in sets. More underground than 99% of Hugo Cantarra's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 98% of Hugo Cantarra's catalogue
- Tempo:
- faster than 94% of Hugo Cantarra's catalogue
- Low end:
- more treble-tilted than 89% of Hugo Cantarra's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Mercury - Extended Mix in?
Mercury - Extended Mix by Hugo Cantarra is in G minor, or 6A on the Camelot wheel.
What BPM is Mercury - Extended Mix?
Mercury - Extended Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Mercury - Extended Mix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Mercury - Extended Mix good for peak time?
With energy 99 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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