W.D.I.A! - Radio Edit
- BPM
- 128
- Open Key
- 9d
- Energy
- 100/100
- Pop
- 6/100
- Length
- 3:24
- Released
- 2014
- Album
- W.D.I.A!
- Genre
- Trance
- Loudness
- -2.0 dB
- ISRC
- NLF711400657
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- W.D.I.A! - Original Mixoriginal11A · 128
Against the original (11A at 128 BPM), this version holds the same tempo and moves the key from 11A to 4B.
A peak-time tempo trance cut, W.D.I.A! - Radio Edit sits in A♭ major (4B) at 128 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2014 production that still circulates in sets. Hotter than 98% of Orjan Nilsen's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 89% of Orjan Nilsen's catalogue
- Tempo:
- slower than 84% of Orjan Nilsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is W.D.I.A! - Radio Edit in?
W.D.I.A! - Radio Edit by Orjan Nilsen is in A♭ major, or 4B on the Camelot wheel.
What BPM is W.D.I.A! - Radio Edit?
W.D.I.A! - Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with W.D.I.A! - Radio Edit?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is W.D.I.A! - Radio Edit good for peak time?
With energy 100 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![Therapy (feat. James Newman) [Leo Reyes Remix] by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e028db237a063e305de324bbd80){kind=small}
More trance
More from Orjan Nilsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.