Dirty Philthy Beautiful - Radio Edit
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 97/100
- Pop
- 2/100
- Length
- 3:21
- Released
- 2014
- Album
- Dirty Philthy Beautiful
- Genre
- Trance
- Loudness
- -2.4 dB
- ISRC
- NLF711405256
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dirty Philthy Beautiful - Original Mixoriginal9B · 128
Against the original (9B at 128 BPM), this version holds the same tempo in the same key.
At 128 BPM in G major (9B), Dirty Philthy Beautiful - Radio Edit is a peak-time tempo trance production. It reads as dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2014 production that still circulates in sets. Darker than 97% of Orjan Nilsen's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 89% of Orjan Nilsen's catalogue
- Tempo:
- slower than 84% of Orjan Nilsen's catalogue
- Groove:
- less groove-driven than 83% of Orjan Nilsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Dirty Philthy Beautiful - Radio Edit in?
Dirty Philthy Beautiful - Radio Edit by Orjan Nilsen is in G major, or 9B on the Camelot wheel.
What BPM is Dirty Philthy Beautiful - Radio Edit?
Dirty Philthy Beautiful - Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Dirty Philthy Beautiful - Radio Edit?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Dirty Philthy Beautiful - Radio Edit good for peak time?
With energy 97 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![Body Of Conflict [Mix Cut] - Vocal Mix by Cosmic Gate cover art](https://i.scdn.co/image/ab67616d00001e02c10c70692035100edf519a94){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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